{"id":677,"date":"2026-01-13T02:51:49","date_gmt":"2026-01-13T02:51:49","guid":{"rendered":"http:\/\/beyondaudiorecording.com\/?page_id=677"},"modified":"2026-01-28T02:10:27","modified_gmt":"2026-01-28T02:10:27","slug":"equipment","status":"publish","type":"page","link":"https:\/\/beyondaudiorecording.com\/?page_id=677","title":{"rendered":"Equipment"},"content":{"rendered":"\t\t
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Equipment<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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THE ROOMS:<\/u><\/strong><\/p>

Our live room is treated by ProSoCoustic, and is large enough for drum tracking, or recording an ensemble. Our iso-booth is also treated with ProSoCoustic Paneling, and is large enough to comfortably record a vocalist, acoustic player, or gang vocal. Both the live room and iso-booth are constructed with floating walls and a floating ceiling.<\/p>

Our control Room is also treated with ProSoCoustic absorption and diffusion, and all three rooms receive power from an isolated ground source. There is audio and video communication back and forth between the live rooms and control room, simplifying the recording process.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"recording\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"recording\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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THE CONSOLE:<\/u><\/strong> Midas Verona 320<\/p>

Our console is configured as a line level mixer in our workflow. We do not use its internal microphone preamplifiers. We utilize its layout for analog grouping and summing in both the channel and monitor paths, sending to artist monitor mixes while tracking, taking advantage of auxiliary sends to monitor and\/or print effects live while tracking or to route them into the mix later, and to utilize the channel strip EQs for analog boosts on elements in the mix. Our final mixes or stems are summed through the console and printed back to the DAW.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t

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Equipment List<\/h2>\t\t\t\t<\/div>\n\t\t
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MICROPHONES and DI Boxes:<\/u><\/strong><\/p>

DI Boxes<\/u><\/em><\/strong><\/p>

Radial JDI Stereo w\/Jensen Transformers (x2)<\/p>

Countryman Type 10<\/p>

Neve RNDI<\/p>

MXR Bass DI+<\/p>

Large Diaphragm Condensers:<\/u><\/em><\/strong><\/p>

Stam SA-47 mk2<\/p>

Avantone CV12<\/p>

Neumann TLM 103<\/p>

Vanguard V4 (x2, sequential serial numbers)<\/p>

Audio Technica AT4033<\/p>

Small Diaphragm Condensers:<\/u><\/em><\/strong><\/p>

Shure SM81 (x2)<\/p>

AGK C1000S (x2)<\/p>

Dynamic Mics:<\/u><\/em><\/strong><\/p>

Shure Beta 52 (x2)<\/p>

Shure Beta 56 (x6)<\/p>

Shure Beta 58<\/p>

Shure SM57 (x3)<\/p>

Shure SM57 \u2013 Transformer Removed<\/p>

Solomon Audio Sub LoFreQ Sub-Mic \u2013 Daru Jones edition<\/p>

Sennheiser MD421 (x3)<\/p>

Sennheiser e835<\/p>

AKG D112<\/p>

Oktava MK219<\/p>

Audix i5<\/p>

Ribbon Mics:<\/u><\/em><\/strong><\/p>

Royer R121<\/p>

Reslo CR2<\/p>

Lo-Fi Mics:<\/u><\/em><\/strong><\/p>

Placid Audio Copperphone<\/p>

\u00a0<\/strong><\/p>

MICROPHONE PREAMPS:<\/u><\/strong><\/p>

Neve 5024 (x3, for 12 Neve preamp channels)<\/p>

Stam 1073 EQ+ (x2, based on the original Neve 1073)<\/p>

Art Pro MPA II<\/p>

Universal Audio Solo 610<\/p>

A\/D and D\/A CONVERTERS:<\/u><\/strong><\/p>

Universal Audio Apollo 16 Mk2 (x2, for a 32 in\/out configuration)<\/p>

SOFTWARE: <\/u><\/strong><\/p>

DAW:<\/u><\/em> <\/strong>Avid Pro Tools, Steinberg WaveLab<\/p>

Virtual Instruments:<\/u><\/em><\/strong> Reason, Kontakt, Steven Slate Drums, Avid<\/p>

Plug-Ins:<\/u><\/em><\/strong> Avid, Fab-Filter, Universal Audio, Sound Toys, Waves, Vocal-Align, Melodyne, Steven Slate Trigger<\/p>

OUTBOARD DYNAMICS:<\/u><\/strong><\/p>

Klark Teknik DN540 Plus (x2 with sequential serial numbers, for 8 compression channels)<\/p>

Klark Teknik DN530 4 channel gate<\/p>

Empirical Labs EL8 Distressor (x2)<\/p>

Joe Meek Sc2.2<\/p>

DBX 160xt (x2)<\/p>

Stam Audio SA-4000 MK2 (based on Solid State Logic G-series console center section bus compressor)<\/p>

Stam Audio StamChild SA-670 (Based on a FairChild 670)<\/p>

Warm Audio WA-76 (x2)<\/p>

Hair Ball Audio Blue Stripe 1176<\/p>

Klark Teknik KT2A (x2)<\/p>

\u00a0<\/u><\/strong><\/p>

OUTBOARD EQ:<\/u><\/strong><\/p>

Midas Verona Channel EQs (x32)<\/p>

Stam Pultec MEQP-1 (x2, based on the Pultec EQP-1A)<\/p>

UBK Kush Clariphonic MK2 (with mid-side processing capability)<\/p>

OUTBOARD EFFECTS:<\/u><\/strong><\/p>

Yamaha SPX 90<\/p>

Line 6 Echo Pro<\/p>

OTHER OUTBOARD:<\/u><\/strong><\/p>

Drawmer 1976 3-band Stereo Width and Saturator<\/p>

Aphex Aural Exciter<\/p>

PATCHING:<\/u><\/strong><\/p>

Redco R196 DB25 96-point patch bay (x3)<\/p>

MONITORING:<\/u><\/strong><\/p>

Focal Alpha 80<\/p>

Avantone Mix Cubes<\/p>

Focal Sub6 11\u201d Sub<\/p>

Behringer Power Play 16 channel headphone Distro<\/p>

Shure SRH440 Headphones<\/p>

Drawmer MC2.1 Monitor Controller<\/p>

\u00a0<\/u><\/strong><\/p>

BACKLINE:<\/u><\/strong><\/p>

\u00a0<\/em><\/strong><\/p>

Switching and Signal Distro: <\/em><\/strong><\/p>

KHE-ACS 4×4 w\/loop switching<\/p>

Radial Headlight<\/p>

\u00a0<\/em><\/strong><\/p>

Amps<\/em><\/strong><\/p>

Mesa Boogie Mark V 90-watt head<\/p>

Marshall JCM2000 Dual Super Lead<\/p>

Mesa Boogie Triaxis Preamp\/2:90 power amp<\/p>

Mesa Boogie M-Pulse 600 Bass Head<\/p>

Roland JC-120<\/p>

Cabs<\/em><\/strong><\/p>

Crate 4×12 w\/vintage 30s<\/p>

Marshall 4×12 w\/celestion<\/p>

Mesa 2×15 bass cab w\/Eminence Omega Pro<\/p>

\u00a0<\/em><\/strong><\/p>

Pedals <\/em><\/strong><\/p>

Analogman King of Tone V4 (ch2 high gain mod)<\/p>

Electro-Harmonix Cathedral Stereo Reverb<\/p>

Electro-Harmonix Super Pulsar Stereo Tremolo<\/p>

Ibanez AD-80 Analog Delay<\/p>

Ibanez CS-505 Chorus<\/p>

Ibanez CP-835 Compressor<\/p>

Ibanez PT-909 Phaser<\/p>

Digitech Whammy<\/p>

Boss DD3 Delay<\/p>

Boss BF2 Flange<\/p>

Boss CE5 Chorus<\/p>

Other<\/em><\/strong><\/p>

ISP Decimator Pro G Noise Gate<\/p>

Dunlop Custom Shop DCR-2SR Rack Wah<\/p>

Korg DTR-1000 Tuner<\/p>

TC Electronic G-Major 2<\/p>

Voodoo Labs Power Supplies<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Equipment THE ROOMS: Our live room is treated by ProSoCoustic, and is large enough for drum tracking, or recording an ensemble. Our iso-booth is also treated with ProSoCoustic Paneling, and is large enough to comfortably record a vocalist, acoustic player, or gang vocal. Both the live room and iso-booth are constructed with floating walls and […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-677","page","type-page","status-publish","hentry"],"yoast_head":"\nEquipment - beyondaudiorecording.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/beyondaudiorecording.com\/?page_id=677\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Equipment - beyondaudiorecording.com\" \/>\n<meta property=\"og:description\" content=\"Equipment THE ROOMS: Our live room is treated by ProSoCoustic, and is large enough for drum tracking, or recording an ensemble. 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